The fossils we found this month will go into a temporary set
of drawers in the museum for further processing. Today, I’m working in the prep
lab on a fossil found two years ago.
Many of the fossils we’ve been finding are on the surface.
“Digging” for fossils is pretty rare here. There’s a surfeit of fine ones to be
plucked off the ground. But sometimes in the canyon, you see a gleam of a
tooth, and then an inch or two of curved jaw, and you know there’s something
better encased in the rock behind it. Plaster, rock hammers, picks are used to
ease the thing out--often over the course of a week or two. It comes out with
plenty of extra rock around it.
Wikipedia. A fossil still in matrix |
Such is the jaw I’m working on right now. It’s another
oreodont. The rock--called “matrix”--needs to come off to reveal the fossil
itself. Last week, I finished the top of the skull. There’s a beautiful
pearlescent quality to part of it. I hit one difficult patch, but most of this
one is coming along easily.
There are people who can do picky, fine work. I’m one of
them, so this is my favorite part of the work. (That it’s done in air
conditioned comfort is no small part of that.) I can sit for three hours,
hunched over a microscope, my work in the eyepiece, and wield the tools of fossil
cleaning on the specimen.
The primary tool I use is a pneumatic scribe, a vibrating
needle that grinds away the matrix. It takes some practice figuring out the
right angle and the right pressure to use--and that changes between the easier
fossils and the harder ones, between bone and teeth, between animal and
vegetable.
I cheat a little bit today and work at the side of the jaw,
the thing that was exposed and let the paleontologist two years ago see it was
there. Teeth are so easy to clean, so forgiving. It’s a joy to work at the side
of a few molars. And it’s fascinating how different the molar surface is
between species. Even I can tell at a glance a rhino from a mammoth from an
entelodont from a camel from an oreodont. They each have distinctive cusps, or
bumps.
oreodont skull, cleaned |
I’ve been left with a bag of broken bones from earlier this year.
It’s a 3-D jigsaw puzzle, and I’ve put it about half together. I’m thinking I
might have more than one bone here. I have enough together I know that one is a
vertebra. Naked eye, I gently try a couple of pieces against
each other. I move to the microscope when I think I have a fit. I do! Another
bit added.
I get out the polyvinyl butyral dissolved in acetone to glue
them together, using toothpicks to hold the bones in place until the glue sets.
I try another bone fragment in several places, finding no matches, and then I’m
done. I put the tray back in my work area. I know the paleontologist comes by
and checks my work from time to time, making sure I’m not messing up too badly.
There are fossils here so fragile or so important, I’m not let near them.
After lunch, I’m pulled aside to help carve a resting place
for a camel’s pelvic bone in a chunk of museum-quality foam. I cradle the bone
in both hands, nervous as all get-out, I promise you, as someone else uses an
electric knife to match the impression in the foam to the shape of the bone.
The knife is just like the one you might use on holidays to carve the turkey.
When it’s ready, we move it out to a new exhibit in the
museum. This takes four of us using eight locking suction cup devices to lift a
heavy glass case. It’s like a scene out of something like Ocean’s Eleven (minus
six), where they rob a museum. First, the guy who was using the knife flips off
the alarm system--which is deafening when it is triggered--and then we lift the
glass case. It’s heavy. I’m not sure why the alarms, because it really is a four-person
job to lift this thing. It’s not something you could sneak in and do in thirty
seconds, even if you did your tourism with eight locking suction cup devices in
your backpack. Knife Guy rearranges the exhibit and adds the camel bone. He
takes out a femur of a different camel, needed for study, and we lower the
cabinet, lock it, and he re-sets the alarm.
Wikipedia. Not "my" museum but the sort of case we moved |
I go back to work on the oreodont skull. I watch, during the
breaks I take to rest my eyes, the paleontologist with the femur bone. She has
out calipers and is measuring the distance between various bone markers.
There’s some discussion in the field of splitting one camel species into two.
If they do that, which is this bone going to be? A pile of scientific journals
is open to the relevant pages. She takes pictures from time to time, and
sometimes she asks me to hold a flashlight to illuminate a bit of bone
correctly.
I’m down to halfway down in the oreodont’s cheek. It has a
very deep lacrymal fossa, a dent that held a gland. That it’s so deep will
probably help them know exactly what species it is.
I’m stiff from working in one position, so I wander outdoors
and walk around. Were it not for the scorching summer heat, it’d be a beautiful
day. It’s beautiful for about five minutes until I escape to the air
conditioning. Tomorrow, it’s back out into the field, to hunt for more fossils,
teeth and bones the hard rock is yielding back up to us.
In the center of the museum entrance is a huge entelodont’s
head and neck, the flanges flared out impressively, the fossil teeth sharp
enough that there’s a sign warning people not to touch them. Thirty million
years after it died, its teeth can still draw blood.
In my time here, I have begun to long to be fossilized. It’s
unlikely to happen, but I wish for it nonetheless. It’s as near to immortal as
any of us might be.